{"id":28369,"date":"2026-06-26T22:19:24","date_gmt":"2026-06-26T21:19:24","guid":{"rendered":"https:\/\/martafluvia.com\/?page_id=28369"},"modified":"2026-06-26T22:32:19","modified_gmt":"2026-06-26T21:32:19","slug":"pablo-remon","status":"publish","type":"page","link":"https:\/\/martafluvia.com\/en\/pablo-remon\/","title":{"rendered":"Pablo Rem\u00f3n"},"content":{"rendered":"\t\t
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PABLO REM\u00d3N<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pablo Rem\u00f3n<\/strong> is a playwright, screenwriter, and director.<\/p>

He has written and directed the plays La <\/span>abducci\u00f3n<\/span> de Luis Guzm\u00e1n<\/span>; 40 <\/span>a\u00f1os<\/span> de <\/span>paz<\/span>; Barbados, <\/span>etc\u00e9tera<\/span>; El <\/span>tratamiento<\/span>; Los<\/span> mariachis<\/span>; Do\u00f1a Rosita, <\/span>anotada<\/span>; Los <\/span>farsantes<\/span>; Barbados <\/span>en<\/span> 2022<\/span>; Vania x Vania<\/span>; and El <\/span>entusiasmo<\/span>. His works have premiered in venues such as the Pav\u00f3n Kamikaze, the Valle-Incl\u00e1n Theatre, and the Teatros del Canal in Madrid, and have also been presented at festivals including the Festival de Oto\u00f1o of the Madrid Regional Government, the Grec Festival in Barcelona, and FIBA in Buenos Aires. His plays have been translated into French, English, Italian, and Polish, and have been performed in countries such as the United States, Argentina, Poland, and Italy.<\/p>

In 2023, he directed the Italian production of Los <\/span>farsantes<\/span>, which premiered at the Festival dei Due Mondi in Spoleto and has since toured extensively throughout Italy, surpassing two hundred performances. He has received awards including the Lope de Vega Prize and the Jardiel Poncela Prize.<\/p>

He was awarded Spain\u2019s National Prize for Dramatic Literature in 2021.<\/p>

As a screenwriter, he has co-written several feature films, including No <\/span>s\u00e9<\/span> decir<\/span> adi\u00f3s<\/span>and Intemperie<\/span>. He received the 2020 Goya Award for Best Adapted Screenplay, the Julio Alejandro Award for Ibero-American Screenwriting, and the Silver Biznaga for Best Screenplay at the M\u00e1laga Film Festival on two occasions.<\/p>

He has been a guest speaker at New York University, the First Ibero-American Congress of Screenwriters in Mexico City, and Euroimages in Colombia, among other institutions and events.<\/p>

His plays are published by La u\u00d1a RoTa.<\/p><\/div>

CATALOG<\/p>

\u00a0<\/div><\/div>
Dramaturgia<\/td><\/tr>
T\u00edtulo<\/td>Personajes masculinos<\/td>Personajes femeninos<\/td><\/tr>
La abducci\u00f3n de Luis Guzm\u00e1n<\/i><\/td>2<\/td>1<\/td><\/tr>
40 a\u00f1os de paz<\/i><\/td>2<\/td>2<\/td><\/tr>
Barbados, etc\u00e9tera<\/i><\/td>1<\/td>1<\/td><\/tr>
El tratamiento<\/i><\/td>3<\/td>2<\/td><\/tr>
Los mariachis<\/i><\/td>4<\/td>0<\/td><\/tr>
Do\u00f1a Rosita, anotada<\/i><\/div>
Versi\u00f3n de Do\u00f1a Rosita, la soltera<\/i>, de Lorca<\/div><\/td>
1<\/td>2<\/td><\/tr>
Los farsantes<\/i><\/td>2<\/td>2<\/td><\/tr>
Barbados en 2022<\/i><\/div>
Versi\u00f3n de Barbados, etc\u00e9tera<\/i><\/div><\/td>
1<\/td>1<\/td><\/tr>
Vania x Vania<\/i><\/div>
Dos versiones de T\u00edo Vania<\/i>, de Ch\u00e9jov<\/div><\/td>
3<\/td>3<\/td><\/tr>
El entusiasmo<\/i><\/td>2<\/td>2<\/td><\/tr>
Dramaturgia conjunta<\/td><\/tr>
Muladar<\/i><\/div>
Escrita con Daniel Rem\u00f3n<\/div><\/td>
–<\/td>–<\/td><\/tr>
Sue\u00f1os y visiones de Rodrigo Rato<\/i><\/div>
Escrita con Roberto Mart\u00edn Maiztegui<\/div><\/td>
2<\/td>0<\/td><\/tr>
Obras cortas<\/td><\/tr>
Graffiti<\/i><\/td>2<\/td>0<\/td><\/tr>
El origen de las especies<\/i><\/td>0<\/td>1<\/td><\/tr>
La incertidumbre<\/i><\/td>–<\/td>–<\/td><\/tr>
El encargo<\/i><\/td>–<\/td>–<\/td><\/tr>
Otras versiones<\/td><\/tr>
Traici\u00f3n<\/i><\/div>
Versi\u00f3n de Betrayal<\/i>, de Harold Pinter<\/div><\/td>
2<\/td>1<\/td><\/tr>
Viejos tiempos<\/i><\/div>
Versi\u00f3n de Old Times<\/i>, de Harold Pinter<\/div><\/td>
1<\/td>2<\/td><\/tr><\/tbody><\/table><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Solicitar derechos de representaci\u00f3n:<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAmateur: Solicitud de derechos<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tProfesional: Solicitud de derechos<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cat\u00e1logo:<\/p>\n

MARC ARTIGAU<\/p>\n\n\n\n\n
T\u00cdTULO<\/td>\nG\u00e9nero<\/td>\nPersonajes Masculinos<\/td>\nPersonajes Femeninos<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

PABLO REM\u00d3N Pablo Rem\u00f3n is a playwright, screenwriter, and director. He has written and directed the plays La abducci\u00f3n de Luis Guzm\u00e1n; 40 a\u00f1os de paz; Barbados, etc\u00e9tera; El tratamiento; Los mariachis; Do\u00f1a Rosita, anotada; Los farsantes; Barbados en 2022; Vania x Vania; and El entusiasmo. His works have premiered in venues such as the … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-28369","page","type-page","status-publish"],"yoast_head":"\nPablo Rem\u00f3n - Marta Fluvi\u00e0<\/title>\n<meta name=\"description\" content=\"Get to know our author Pablo Rem\u00f3n. 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