{"id":1663,"date":"2019-01-08T17:09:23","date_gmt":"2019-01-08T17:09:23","guid":{"rendered":"http:\/\/martafluvia.com\/claudia-cedo\/"},"modified":"2023-05-21T18:36:53","modified_gmt":"2023-05-21T17:36:53","slug":"claudia-cedo","status":"publish","type":"page","link":"https:\/\/martafluvia.com\/en\/claudia-cedo\/","title":{"rendered":"Cl\u00e0udia Ced\u00f3"},"content":{"rendered":"\t\t
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CL\u00c0UDIA CED\u00d3<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CL\u00c0UDIA CED\u00d3<\/strong> (Tortosa, 1983)<\/strong>. Playwright, screenwriter, theater director. Graduated in Psychology from the Universitat Aut\u00f2noma de Barcelona and graduated in Theater and Performing Arts. Creator of Escenaris Especials (Special Stages), theater project with actors and actresses with functional diversity.<\/p>

She has written and directed theater plays such as Transplant<\/em><\/strong> (Et planto)<\/em>, When we were kids we all killed ants<\/em><\/strong> (De petits Tots Mat\u00e0vem Formigues<\/em>), The man without a voice<\/em><\/strong> (L\u2019home sense veu<\/em>), Turtles: The deceleration of particles<\/em><\/strong> (Tortugues: La desacceleraci\u00f3 de les part\u00edcules) <\/em>-Butaca Award for Best Play 2015-, National Identity Card<\/em><\/strong> (DNI)<\/em> – Winner of the Catalan Playwright Tournament-, Julia and the empty lot <\/em><\/strong>(Una gossa en un descampat)<\/em> – Butaca Award Best Play, La Cr\u00edtica Award Best Play and Best Show 2019, Teatre Barcelona Awards Best Playwrite and Best Show-, Blind<\/em><\/strong> (Ciegos)<\/em> -Winner of the Madrid Playwright Tournament-, the theatrical adaptation of the novel Canto jo i la muntanya balla<\/em> (When I Sing, Mountains Dance<\/em><\/strong>)<\/em> – Premi Teatre Barcelona Best Adaptation. 3 Awards Max 2022-, The Forgotten Croquettes<\/em><\/strong> (Les croquetes oblidades) -Nomination for Best Family Show of La Cr\u00edtica Awards 2021 and of the Teatre Barcelona Awards 2021-, Caligula Muri\u00f3, I didn\u2019t<\/em><\/strong>(Cal\u00edgula muri\u00f3, yo no)<\/em> based on Caligula by Albert Camus (National\u00a0Drama Centre, Madrid), To be a mother<\/em><\/strong>(Mare de Sucre)<\/em> \u2013 (National Theater of Catalonia); winner of 5 Teatre Barcelona Awards, Best Show, Best Author, Best Direction; nominations for the Butaca Awards and La Cr\u00edtica Awards for Best Text and Direction-, Ice Syndrome<\/em><\/strong> (S\u00edndrome de Gel) in Teatre Lliure, the theatrical adaptation of the novel Essay on Blindness<\/em><\/strong> by Jos\u00e9 Saramago (Teatre Nacional de Catalunya, 2022).<\/p>

Her plays have been published and translated into more than 10 languages: English, Italian, French, Greek, Swedish, Finnish, among others, and premiered in Spain, France, Italia, Portugal (Teatro Nacional S\u00e3o Jo\u00e3o), Poland (Wybrze\u017ce Theater, Teatr Dramatyczny Warszawa), Czech Republic (Let\u00ed Theater Prague), Liechtenstein (TAK Theater), Argentina (Teatro El Extranjero de Buenos Aires), Festival Temporada Alta or Festival Mousson d’\u00c9t\u00e9. She has worked with directors such as Sergi Belbel, Xicu Mas\u00f3, Isra Sol\u00e0, Nuno Cardoso, Marco Paiva, Guillem Alba, Helena Tornero or Marina Schubarth.<\/p>

She co-created the theater company Pocapuc Teatre<\/em> in 1998, she directs the theater company El Vol del Pollastre<\/em> from 2011 to 2021 and is part of the German theater company Dokumentartheater<\/em> of Berlin. She is the resident playwright at the Sala Beckett in Barcelona (2017-2018) and participates as a playwright in two workshops with Simon Stephens in Sala Beckett.<\/p>

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Currently, she is writing a feature film script for cinema, for the production company Lastor Media (based on her theater play Mare de Sucre<\/em><\/strong>) and an animated movie (based on her theater play Les croquetes oblidades<\/em><\/strong>). She is the screenwriter of the animated series Jasmine & Jambo<\/em><\/strong> and creator of the series Alabama<\/em><\/strong>, for El Terrat productions.<\/p>

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CATALOGUE:<\/p>

TITLE<\/strong><\/p><\/td>

GENRE<\/strong><\/p><\/td>

MALE CHARACTERS<\/strong><\/p><\/td>

FEMALE CHARACTERS<\/strong><\/p><\/td><\/tr>

De peque\u00f1os todos mat\u00e1bamos hormigas<\/em><\/p>

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Dramatic comedy<\/p><\/td>

3<\/p><\/td>

2<\/p><\/td><\/tr>

Tortugues: La desacceleraci\u00f3 de les part\u00edcules<\/em><\/p>

\u00a0<\/strong><\/p><\/td>

Fantastic comedy<\/p><\/td>

2<\/p><\/td>

2<\/p><\/td><\/tr>

El hombre sin voz<\/em><\/p>

\u00a0<\/strong><\/p><\/td>

\u00a0<\/p><\/td>

1<\/p><\/td>

1<\/p><\/td><\/tr>

El pou<\/em><\/p>

\u00a0<\/strong><\/p><\/td>

\u00a0<\/p><\/td>

\u00a0<\/p><\/td>

\u00a0<\/p><\/td><\/tr>

J\u00falia?<\/em><\/p>

\u00a0<\/strong><\/p><\/td>

\u00a0<\/p><\/td>

\u00a0<\/p><\/td>

\u00a0<\/p><\/td><\/tr>

Et planto<\/em><\/p>

\u00a0<\/strong><\/p><\/td>

Romantic comedy<\/p><\/td>

3<\/p><\/td>

1<\/p><\/td><\/tr>

Revoluci\u00f3<\/em><\/p>

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Els \u00faltims deu dies de Norman Foster <\/em><\/p>

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DNI<\/em><\/p>

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Ciegos<\/em><\/p>

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\u00a0<\/strong><\/p><\/td>

\u00a0<\/strong><\/p><\/td>

\u00a0<\/strong><\/p><\/td><\/tr>

Como una perra en un descampado<\/em><\/p>

\u00a0<\/em><\/p><\/td>

Drama<\/p><\/td>

2<\/p><\/td>

4<\/p><\/td><\/tr>

Mare de sucre<\/em><\/p>

\u00a0<\/em><\/p><\/td>

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2<\/p><\/td>

5<\/p><\/td><\/tr>

S\u00edndrome de gel<\/em><\/p>

\u00a0<\/em><\/p><\/td>

Drama<\/p><\/td>

5<\/p><\/td>

4<\/p><\/td><\/tr>

Els \u00c0ngels no tenen fills<\/em><\/p>

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1<\/p><\/td>

2<\/p><\/td><\/tr>

ADAPTATIONS<\/em><\/strong><\/p>

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Assaig sobre la ceguesa <\/em>de Jose Saramango<\/p>

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Essay<\/p><\/td>

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\u00a0<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Request perfomance rights:<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAmateur: Rights request<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tProfesional: Rights request<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

CL\u00c0UDIA CED\u00d3 CL\u00c0UDIA CED\u00d3 (Tortosa, 1983). Playwright, screenwriter, theater director. Graduated in Psychology from the Universitat Aut\u00f2noma de Barcelona and graduated in Theater and Performing Arts. Creator of Escenaris Especials (Special Stages), theater project with actors and actresses with functional diversity. She has written and directed theater plays such as Transplant (Et planto), When we … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1663","page","type-page","status-publish"],"yoast_head":"\nCl\u00e0udia Ced\u00f3 - Marta Fluvi\u00e0<\/title>\n<meta name=\"description\" content=\"Get to know our author Cl\u00e0udia Ced\u00f3. 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