{"id":1565,"date":"2018-12-23T22:09:43","date_gmt":"2018-12-23T22:09:43","guid":{"rendered":"http:\/\/martafluvia.com\/jordi-galceran\/"},"modified":"2024-03-22T10:34:17","modified_gmt":"2024-03-22T09:34:17","slug":"jordi-galceran","status":"publish","type":"page","link":"https:\/\/martafluvia.com\/ca\/jordi-galceran\/","title":{"rendered":"Jordi Galceran"},"content":{"rendered":"\t\t
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JORDI GALCERAN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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JORDI GALCERAN (Barcelona, 1964). <\/strong>\u00c9s un autor teatral i guionista que escriu tant en catal\u00e0 com en castell\u00e0. Va estudiar Filologia Catalana a la Universitat de Barcelona. Des de la seva joventut que treballa d\u2019actor, director i autor en companyies independents de teatre. A partir del 1988 va comen\u00e7ar a escriure com\u00e8dies, algunes de les quals es representen en els circuits d\u2019aficionats, dirigides per ell mateix.<\/p>\n

Al 1995 va guanyar el premi Born de teatre amb l\u2019obra Paraules encadenades<\/em><\/strong>, t\u00edtol amb el que tamb\u00e9 va obtenir el premi Cr\u00edtica Serra d\u2019Or de 1997 i, amb Dakota<\/em><\/strong> (1995), guanya el premi Ignasi Iglesias de l\u2019Institut del Teatre de la Diputaci\u00f3 de Barcelona de 1995.<\/p>\n

\n<\/p>

Surf<\/em><\/strong> i Fruita<\/em><\/strong>, s\u00f3n dues com\u00e8dies anteriors que s\u2019estrenen l\u2019any 1998.<\/p>\n

Juntament amb Esteve Miralles i Albert Guinovart,  va escriure els espectacles musicals Parad\u00eds<\/em><\/strong> (2000) i Gaud\u00ed <\/em><\/strong>(2002), obres que van aconseguir el premi Butaca al millor espectacle musical.<\/p>\n

\n<\/p>

L\u2019obra amb la que ha aconseguit major \u00e8xit nacional i internacional ha estat El m\u00e9todo Gr\u00f6nholm<\/em><\/strong> (2003), guanyadora d\u2019un premi Max. Ja l\u2019han vist m\u00e9s de dos milions d\u2019espectadors i s\u2019ha representat en uns setanta pa\u00efsos.<\/p>\n

\n<\/p>

Al 2005 va estrenar Carnaval<\/em><\/strong>, i al 2007, Canc\u00fan<\/em><\/strong>.<\/p>\n

\n<\/p>

Burundanga<\/em><\/strong> (2011) \u00e9s la seva com\u00e8dia m\u00e9s longeva en temporada ininterrompuda, i actualment ja acumula la seva tretzena temporada a Madrid.<\/p>\n

\n<\/p>

El cr\u00e8dit<\/em><\/strong> (2012) tamb\u00e9 obt\u00e9 un gran ress\u00f2 internacional i ja s\u2019ha estrenat a una vintena de pa\u00efsos.<\/p>\n

Tamb\u00e9 ha realitzat una dotzena d\u2019adaptacions teatrals, entre elles Conversaciones con mam\u00e1<\/em><\/strong> (2010), Los Asquerosos<\/em><\/strong> (2020) o l\u2019adaptaci\u00f3 espanyola del musical El Rey Le\u00f3n. I tamb\u00e9 m\u00e9s d\u2019una trentena de traduccions d\u2019autors com Goldoni, Gogol, De Filippo, Yasmina Reza o David Mamet.<\/p>\n

A m\u00e9s de la seva activitat teatral ha escrit els guions de diverses s\u00e8ries de televisi\u00f3 i pel\u00b7l\u00edcules. Tamb\u00e9 diverses narracions breus amb el col\u00b7lectiu Germans Miranda i ha col\u00b7laborat a La Vanguardia i el Diari Ara.<\/p>\n

L\u2019\u00faltima obra que ha escrit i estrenat \u00e9s la de Fitzroy<\/em><\/strong> (Teatre Borr\u00e0s de Barcelona, 2023).<\/p>\n


<\/p>\n

\n<\/p>

CAT\u00c0LEG:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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T\u00cdTOL<\/strong><\/p>\n<\/td>\n

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G\u00c8NERE<\/strong><\/p>\n<\/td>\n

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PERSONATGES MASCULINS<\/strong><\/p>\n<\/td>\n

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PERSONATGES FEMENINS<\/strong><\/p>\n<\/td>\n<\/tr>\n

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El m\u00e8tode Gr\u00f6nholm<\/a>
<\/p>\n


<\/em><\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n<\/tr>\n

\n

Paraules encadenades<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Thriller<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n<\/tr>\n

\n

El cr\u00e8dit<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n

\n<\/td>\n<\/tr>\n
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Burundanga<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n<\/tr>\n

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Canc\u00fan<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n<\/tr>\n

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Dakota<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

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Com\u00e8dia<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n<\/tr>\n

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Fuga<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

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Com\u00e8dia<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n<\/tr>\n

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Carnaval<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Thriller<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n<\/tr>\n

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Fitzroy<\/a>
<\/p>\n

 <\/em><\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n<\/td>\n\n

4<\/p>\n<\/td>\n<\/tr>\n

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 <\/em><\/strong>ADAPTACIONS<\/em><\/strong><\/p>\n<\/td>\n

\n<\/td>\n\n<\/td>\n\n<\/td>\n<\/tr>\n
\n

Conversaciones con m\u00e1m\u00e1 de Santiago Oves<\/a>
<\/p>\n<\/td>\n

\n

Com\u00e8dia dram\u00e0tica<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n

\n

1<\/p>\n<\/td>\n<\/tr>\n

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Un dios salvaje de Yasmina Reza<\/a>
<\/p>


<\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n

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2<\/p>\n<\/td>\n<\/tr>\n

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El nombre de Delaporte&Patelli\u00e8re<\/a>
<\/p>


<\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

\n

3<\/p>\n<\/td>\n

\n

2<\/p>\n<\/td>\n<\/tr>\n

\n

El inspector de Nicolai G\u00f3gol<\/a>
<\/p>


<\/p>\n<\/td>\n

\n

Com\u00e8dia<\/p>\n<\/td>\n

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11<\/p>\n<\/td>\n

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6<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Solicitar drets de representaci\u00f3:<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAmateur: Solicitud de drets<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tProfessional: Solicitud de drets<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

JORDI GALCERAN JORDI GALCERAN (Barcelona, 1964). \u00c9s un autor teatral i guionista que escriu tant en catal\u00e0 com en castell\u00e0. Va estudiar Filologia Catalana a la Universitat de Barcelona. Des de la seva joventut que treballa d\u2019actor, director i autor en companyies independents de teatre. A partir del 1988 va comen\u00e7ar a escriure com\u00e8dies, algunes … Llegiu m\u00e9s<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1565","page","type-page","status-publish"],"yoast_head":"\nJordi Galceran - Marta Fluvi\u00e0<\/title>\n<meta name=\"description\" content=\"Conegui al nostre autor Jordi Galceran. 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